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Mun surprised everyone with his great cooking skills that earned him the E-Chef title. Nonetheless, the film is ultimately a frustrating experience. Much of the film's strength must be attributed to the brilliant casting of Kim Ji-soo in the role of Jeong-hye.
They do not exploit the buildings as they were initially devised, as mazes to direct us through our day. The scene is also a fitting reflection of how face-saving and self-interest lie just beneath the surface of society's debates over morality.
The relaxed, convincing performances of the actors also deserve notice. And repetition of this single image underscores the repetition of single banal moments in Hong's films. Watching this film's gripping resolution play out, we have no idea what will happen, and we hardly even know what to wish for. About to take the vow of life-long celibacy, he has a bad break-up with his girlfriend Soo-ah Lee Min-jung, Someone Special.
And the Korean title provides no illumination since it's merely a Hangul phoneticization, or as I like to say, the Hangulification, of the English title. Unfortunately, this obsession is shared by Sun-jae. But all this would have been for naught had director Lee chosen the wrong actors. We meet him at a time when he seems to have become aware that the excruciatingly existential price is no longer worth the financial gain.
Instead, she earns her money as a prostitute. And one worth dying for as well. It is only that she is perfectly happy with remaining in the background of the hustle-bustle of Korean city life. Still, she's entitled to hundreds more falls since she already found artistic success with her very first effort.
Their interim status frees them up to be something else, tests for ourselves to see what it is we really want out of our partners, to realize how we act and react with various types of partners. He pointed to his goofy internet short Dazimawa Lee as much more in keeping with his innate style. The film also includes some very impressive set pieces, most notably those involving ice crevices. It's up to us to change direction.
Lee So-yeon makes her slightly thin character memorable through considerable screen presence, while Jang Hyun-seong of independent films Nabi and Rewind gives the performance of his career. Three cheers to Im Sang-soo. At first Park Chul-soo's Green Chair sounds like a fairly straightforward tale of sex and the occasional pang of guilt, but it ends up being much more interesting than that. Indeed, there are more than a few people who want to kill him.
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